Graduate Students

Samuel Budnyk

Samuel Budnyk

Historical Musicology
[email protected]

Lee Cannon-Brown

Lee Cannon-Brown

Theory
[email protected]

Thesis: Ultramodernism in Global Musical Thought, 1900–1950

Marisse Cato

Marisse Cato

Creative Practice/Critical Inquiry
[email protected]

Michele Cheng

Michele Cheng

Creative Practice/Critical Inquiry
[email protected]

Alyssa Cottle

Alyssa Cottle

Historical Musicology
[email protected]


Thesis: From the Local to the Transnational: Music, Sound, and Politics in Chile (1960s-1973)

Music Building

Ganavya Doraiswamy

Creative Practice/Critical Inquiry
[email protected]

Xavier Hadley

Xavier Emmanuel

Creative Practice/Critical Inquiry
[email protected]

Music Building

Weilu Ge

Creative Practice/Critical Inquiry
[email protected]

Flora Saki Giordani

Flora Giordani

Historical Musicology
[email protected]

Sharri Hall

Sharri Hall

Historical Musicology
[email protected]

Music Building

Seiyoung Jang

Creative Practice/Critical Inquiry
[email protected]

Music Building

Kabasomi Kakoma

Creative Practice/Critical Inquiry
[email protected]

Siriana Lundgren

Siriana Lundgren

Historical Musicology
[email protected]

Thesis: Boomtown: Music as Power in the 19th Century Mining West

Cana McGhee

Cana F. McGhee

Historical Musicology
[email protected]

Thesis: Botanical Musicalities: Listening with Plant-Human Encounter

Music Building

Lucas Reccitelli

Historical Musicology
[email protected]

Rachel Rosenman

Rachel Rosenman

Theory
[email protected]

Thesis: Towards an Intermedial Poetics of Song: Case Studies in 20th-Century French Mélodie

Leo Sarbanes

Leo Sarbanes

Historical Musicology
[email protected]

Uri Schreter

Uri Schreter

Historical Musicology
[email protected]

Thesis: The Jewish Beat: Klezmer, Culture, and Politics in Postwar America

Davindar Singh

Davindar Singh

Ethnomusicology
[email protected]

Thesis: Cultures of Cargo: Trucking, Musical Media, and the Logistics of Punjabi Mobility

Sara Speller

Sara Speller

Historical Musicology
[email protected]

Jingyi Zhang

Jingyi Zhang

Historical Musicology
[email protected]


Thesis: The Hypermobility Turn: Opera of the Future, The Future of Opera

OSZAR »